2018年Brad Rabuchin来日ツアー

2018.11.15(Thu)

OPEN / START
18:30 / 19:30
前売り / 当日
¥5,000 / ¥5,500 学割4,000円(受付で学生書の提示をお願い致します。)
公演は終了しました

2018年Brad Rabuchin来日ツアーが決定しました。

Blue Moodではバンド編成によるLAジャズフュージョンライブをお送りします。参加メンバーは黒田大祐(g)、イシダジュン(b)、遠藤徳光(drs)そして林恵佑(vo,pf)。レイチャールズの楽曲をRABUCHINバンドが現代風にアレンジ。そして今年もスペシャルゲストが登場する予定です。

2018.10.15 14:00~予約開始

 

ロサンゼルスを中心に活動しているジャズギタリスト。
自身のアルバム『When Smart Dogs Go Bad』『Cats Have Edge』をリリース。
レイチャールズの最後のギタリストとして5年間彼のバンドに参加。
またRoy Hargrobe、Pat Martino、Stevie Wonderなど数多くのアーティストのレコーディングに参加するなど、スタジオミュージシャンとしても活躍している。

Brad Rabuchin grew up in Pasadena, Ca oblivious to the classic rock era of the 60s until one night on TV catching Mason Williams playing his guitar instrumental “Classical Gas” on a guitar with fish swimming around inside of it! He then delved into playing, first mostly acoustic finger style and later getting into electric but never finding a way to incorporate fish. Brad studied music at Pierce Junior college but his musical identity was more drawn from self study and several excellent private teachers including Derol Coraco, Ted Greene and Joe Pass.
Brad Rabuchin now splits time between leading his own band and a successful carrier as a sideman. Some of the Brads’ credits include: Bonnie Rait, Roy Hargrove, Louie Bellson, Pat Martino, Steve Turre, Al Kooper, Steve Wonder, Buddy Miles, Lean-to, Diane Shurr, David “Fathead” Newman, Willie Nelson and even Mr. Tom Jones. Brad also spent 5 years and toured 6 continents as the last guitarist with Ray Charles . All the while, though, Rabuchin has also been honing his own unique musical voice, just left of center.
Guitarist Brad Rabuchin is not one to paint by the numbers, musically speaking, or play by a given set of rules. That much is clear on his 2 solo albums “When Smart Dogs Go Bad” and ” Cats Have Edge” .They are jazz albums with liberal doses of other, mutually compatible influences, from rock to funk to ethereal aesthetics, and back.
Rabuchin’s band is no guitar dominated blowfest, but a musical outing accenting the leader’s compositional sensitivity and the delicate-yet-feisty textures of a carefully-conceived ensemble.

チケット予約フォーム

現在予約は受け付けておりません。